HELMUT KIESEWETTER

Oil on canvas 80 x 80 cm. Year 2025. NOT AVAILABLE

Oil on canvas 80 x 80 cm. Year 2023

Oil on canvas 80 x 80 cm. Year 2025

Oil on canvas 80 x 80 cm. Year 2024

Oil on paper Hahnemühle 30 x 40 cm. Year 2024. NOT AVAILABLE

Oil on paper Hahnemühle 30 x 40 cm. Year 2024. NOT AVAILABLE

Oil on paper Hahnemühle 30 x 40 cm. Year 2024

Mixed technic, TippEx, paper 30 x 40 cm. Year 2024

Mixed technic, TippEx, paper 15 x 20 cm. Year 2024

Oil on canvas 100×100 cm. 2019

Oil on canvas 80×80 cm. 2023

Acrylic and oil on canvas 80×100 cm. 2024

Óleo sobre lienzo 80 x 80 cm. Año 2025

Acrylic and oil on canvas 80×80 cm. 2023

Oil on canvas 80×80 cm. 2022

Oil on canvas 80×80 cm. 2023

Oil on handmade paper 93×115 cm (61,5 x 81,5 cm). 2012

Oil on wood 50×50 cm. 2020

Oil and acrylic on canvas 126×88 cm. 2024

Oil on canvas 30×30 cm NOT AVAILABLE

Oil on canvas 100×100 cm. 2019

Oil on canvas 80×80 cm. 2023

Acrylic and oil on canvas 80×100 cm. 2024

Oil on canvas 80×80 cm. 2016-2024

Acrylic and oil on canvas 80×80 cm. 2023

Oil on canvas 80×80 cm. 2022

Oil on canvas 80×80 cm. 2023

Oil on handmade paper 93×115 cm (61,5 x 81,5 cm). 2012

Oil on wood 50×50 cm. 2020

Oil and acrylic on canvas 126×88 cm. 2024

Oil on canvas 30×30 cm

HELMUT KIESEWETTER

Frankenheim 1947, Germany

Painter, sculptor, photographer and draughtsman, creates as well installations, performances and other artistic activities.
In Cologne, he studied Philosophy, Art History, Archaeology and Fine Arts at the Academy of Art in Düsseldorf with Schiff and Callahan.

Kiesewetter began his exhibition activity in Wuppertal, followed by exhibitions in Italy, Australia, Switzerland, Austria, Spain, Germany and Russia.

The artist applies an unique technique for his abstract oil paintings with very complex relief structures. In the work we can see filigree brushstrokes that remind us of mountains, seas, clouds, fire… and that invite us to take a holistic approach to the analytical-conceptual and the haptic-sensual.

Kiesewetter’s works not only appeal to the sense of sight, but also to deeper layers of our experience. All his artistic practice can be understood as a contribution against the gradual disappearance of the individual in modern times.