EL CABALLERO DE LA FREGONA.Òleo sobre lienzo.130x180cm.
EL DESAYUNO.Òleo sobre lienzo. 24x33cm.
ELLA TAMBIÈN CREE. Òleo sobre lienzo. 130x180cm
EL REY DE LOS BURROS.Òleo sobre lienzo. 141x180cm.
EL SILLÒN. Òleo sobre lienzo. 90x114cm.
EL ÙLTIMO DE LA CLASE. Òleo sobre lienzo. 24x33cm.
ÈTUDE DE DÈFUNT.Òleo sobre tela. 41x33cm
HOMBRE CON PÁJAROS EN LA CABEZA. Òleo sobre lienzo. 130x195cm.
IL ÈTAIT UN PETIT NAVIRE.Òleo sobre lienzo.170x185cm
LA CAÌDA INEVITABLE Óleo sobre lienzo.140x181cm.
LA DERNIÈRE CIGARETTE. Òleo sobre lienzo. 130x180cm.
LAS VACACIONES DE PABLO.Òleo sobre lienzo. 130x195cm.
LO QUE NO SE VE. Òleo sobre lienzo. 170x195cm.
MUJER PLANCHANDO.Òleo sobre lienzo. 110x150cm
OBJETOS FAMILIARES.ÒLEO SOBRE MADERA. 81x100cm
TETE D`AGNEAU. Òleo sobre lienzo.44x61cm.
THE SHOW MUST GO ON.Òleo sobre lienzo. 190x190cm.
TORSO.Òleo sobre lienzo. 65x81cm.
TRES ARENQUESÒleo sobre lienzo. 24x33cm
TRES MANZANAS.Òleo sobre lienzo. 24x33cm.
BERNARDA ALBA. Òleo sobre lienzo.24x33cm.
CHAUSSURES DE FAMILLE.Òleo sobre lienzo.61x81cm
EL CABALLERO DE LA FREGONA.Òleo sobre lienzo.130x180cm.
EL DESAYUNO.Òleo sobre lienzo. 24x33cm.
ELLA TAMBIÈN CREE. Òleo sobre lienzo. 130x180cm
EL REY DE LOS BURROS.Òleo sobre lienzo. 141x180cm.
EL SILLÒN. Òleo sobre lienzo. 90x114cm.
EL ÙLTIMO DE LA CLASE. Òleo sobre lienzo. 24x33cm.
ÈTUDE DE DÈFUNT.Òleo sobre tela. 41x33cm
HOMBRE CON PÁJAROS EN LA CABEZA. Òleo sobre lienzo. 130x195cm.
IL ÈTAIT UN PETIT NAVIRE.Òleo sobre lienzo.170x185cm
LA CAÌDA INEVITABLE Óleo sobre lienzo.140x181cm.
LA DERNIÈRE CIGARETTE. Òleo sobre lienzo. 130x180cm.
LAS VACACIONES DE PABLO.Òleo sobre lienzo. 130x195cm.
LO QUE NO SE VE. Òleo sobre lienzo. 170x195cm.
MUJER PLANCHANDO.Òleo sobre lienzo. 110x150cm
OBJETOS FAMILIARES.ÒLEO SOBRE MADERA. 81x100cm
TETE D`AGNEAU. Òleo sobre lienzo.44x61cm.
THE SHOW MUST GO ON.Òleo sobre lienzo. 190x190cm.
TORSO.Òleo sobre lienzo. 65x81cm.
TRES ARENQUESÒleo sobre lienzo. 24x33cm
TRES MANZANAS.Òleo sobre lienzo. 24x33cm.
JOSÉ ANTONIO ZARAGOZA TOBARUELA
Paris 1962, France
Lives in Madrid. Graduated in Fine Arts from Paris. Professor of painting “El ojo de Rembrandt”. National and international solo and collective exhibitions.
sociological work His compositions are linked to experiences of human relationships, creative practices that cynically question (the scenarios, rituals, policies and backbone strategies of the social context). The almost imperceptible humor that is not oriented to make people laugh but to make them think. Tradition contradictory to geography and identity. Stereotypical image critical of his predecessors.
union of the old and the new Confrontation with the modern world, with profound political transformations, with changing customs, with the generalization of consumption, with the empire of mass media, with cinema, with advertising and of course with his relationship with the temporality of art.
analytical-symbolic attitude Analytical, visual artist, from the isolated object to the institution.
Modern and forward-looking work His work can be located beyond the present time, it would be inscribed in the universal and is a visionary that can be identified with tradition.
appropriation and representation He places his characters in theatrical scenes and on other occasions affirming their presence and their truth. The artist recognizes that there is a mystery, something implicit in his representations of these women and men in their authenticity. For this reason, it leads him to make a social, ironic criticism of forgotten people or those with clouded minds.
digging into the past More than painting things or situations, it is worth adding the concept of representation itself.
emotional language Characterized by the broken balance, the harmony of forms and colour as an emotional expression. Works made in oil and paper on canvas and wood (collage).